In 2033, 98 percent of the global population will have regular and quality access to the Internet. Being offline is no longer a circumstance but a personal choice.
Have we ever thoroughly examined the intricacies of climate change, or have we merely been skimming the surface? Within the layers of this inquiry lies an acute necessity to introspect further on the idea that the climate crisis is not gender-neutral.
Under the Fig Trees presents a breath of fresh air for Tunisian cinema, offering a new genre to the movie scene with regard to the chosen theme and the director’s artistic approach.
